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Hemingway is a traditional phaser with the addition of a second oscillator that modulates the main one, resulting in much more of a dynamic sounding effect. Features two different depth controls and a master clean blend to allow as little or as much as you want.
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Edgar Allan is a one of a kind modulation effect that combines three very tweakable delay lines and a phase-based tremolo to create anything from a lush chorus to warbly robotic sounds.
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Lord Byron is an extreme, yet utilitarian fuzzbox that favors blending the clean with the filthy. Capable of extreme gain from multiple sources as well as toneshaping via a three band equalizer,'character' controls, a choking bitcrusher and a wet / dry mix, Lord Byron can take your sound from excited clean tones to starving sludge and everywhere inbetween. Designed for guitar, this club-footed wonder takes just as well to bass, synth, drums and pretty much anything else that can't run away screaming.
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Purely intended as an effect tool, Thresher is the compressor your mother warned you about. Capable of obnoxious sustain extension as well as distorted crushing, Thresher offers itself up as a diverse toneshaping tool for those who are into heavier or experimental music-making. Features a vintage style compressor along with a clean output and a variable 'Power' control that introduces tube style saturation and old school filter fatness. Gently polish or obliterate: your choice!
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A different breed of imaging processor, Spread Eagle clones your stereo input and gives you full pan, level, and filter (low or high pass) control over three copies of the signal before merging it back together into a stereo output. With an additional toggle for phase inversion you can mix, match and blend different sounding copies of your source to get that perfect stereo field placement.
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Like its big brother Rhinoceros, Armadillo is a colored channel-strip-like utility. Designed to add weight and character to your stock sounds, Armadillo comes equipped with a dual mode lowpass / hipass filter (12dB/oct and 24dB/oct), variable tube saturation and variable channel voicing. Thick and greasy or pristine and clean, Armadillo is bred to paint your input with character.
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The Dusk filter is a smooth, fat and powerful lowpass filter. With a 'tube' emulated gainstage and a clean mix, Dusk is simple, effective and prepared to liven up anything you pass through it.
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Basilisk is a full stereo, two channel multiband 'vibe' style effect geared towards electric piano, strings, pads and guitars. The wet channel passes your signal through a 9-Band Equalizer, each band being modulated at an independently set rate with an adjustable waveform (4 choices). In addition, each band has a knob for adjusting the bandwidth for its dedicated center frequency. Next, your signal is fed into a stereo chorus effect (5 selectable waveforms) capable of everything from smooth flange to a glitchy blitter -- and for those more 'crusty' moods, a very fat lowpass filter is right there in order to trim off some of the highs. All that's left is to mix and match your wet and dry signals with two independent volume knobs in order to find that perfect blend.
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Rhinoceros is a rather colored channel-strip-like utility designed to add weight and character to otherwise stale sounds. With a full compressor, three band parametric EQ, dual mode lowpass / hipass filter (12dB/oct and 24dB/oct), variable tube saturation and variable channel voicing, Rhinoceros can take your signal and add anything from subtle refinement to fat, grizzly meat and more. Perfect for breathing life into sequenced drums and DI'd electric bass guitar, or adding some excitement to your string / pad section.
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Dueling Tremolos is a phase-based tremolo effect that can be used either with one or two engines; each of which has its own rate, attack, release and volume, making for some very nifty modulation combinations. In addition, engine B can be phase inverted in order to differently interact with the rest of the wet signal!
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Grotto is a stereo reverb / delay hybrid that focuses on producing lush, cave-like environments -- either as enhancements to your source signal or as a sculpting tool for creating droning ambiences. At it's core, Grotto's wet channel is driven by emulated tubes that fill your reverb out with rich harmonics before passing the signal along into a fat lowpass filter. On the side, a delay scoops up signal from either the clean or wet path and then seamlessly reenters the signal chain. Next, simply mix and match your channels with a master, clean and wet volume knob. In addition to Grotto's core features, we left it's spine exposed, allowing you to alter parameters of the reverb algorithm itself. This paves the way for a huge, custom reverb that you can tailor to fit whatever you send through it.
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